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	<title>BAMboozled &#187; emily</title>
	<atom:link href="http://www.bamboozled.org/author/emily/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.bamboozled.org</link>
	<description>Find truth in youth.</description>
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		<title>Eternal Life</title>
		<link>http://www.bamboozled.org/2004/05/eternal-life/</link>
		<comments>http://www.bamboozled.org/2004/05/eternal-life/#comments</comments>
		<pubDate>Tue, 18 May 2004 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2004/eternal-life</guid>
		<description><![CDATA[&#8220;Romeo: I dreamt a dream tonight. Mercutio: And so did I. Romeo: Well, what was yours? Mercutio: That dreamers often lie.&#8221; -Romeo and Juliet I dreamed of her, fire-haired and beautiful: full of eternal life. Immortality is finite, of course. &#8220;There is a child sleeping near his twin The pictures go wild in a rush [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>
&#8220;Romeo: I dreamt a dream tonight.<br />
Mercutio: And so did I.<br />
Romeo: Well, what was yours?<br />
Mercutio: That dreamers often lie.&#8221;<br />
-Romeo and Juliet
</p>
<p>
I dreamed of her, fire-haired and beautiful: full of eternal life.<br />
Immortality is finite, of course.
</p>
<p>
&#8220;There is a child sleeping near his twin<br />
The pictures go wild in a rush of wind&#8221; -Jeff Buckley
</p>
<p>
My soul is tattooed with her flesh, and it&#8217;s become incorrigible. I<br />
can&#8217;t help the twisting myriad in my mind; my daemon throttles<br />
me down screaming,&#8221;she was better than you&#8230;&#8221; &#8230; I can&#8217;t help<br />
the welling jealousy, can I? But I slip into a sleep that is plagued<br />
by a girl who turns her fiery face toward the sea, dreaming of<br />
Sammy, dreaming of farther away than I can see, but not<br />
dreaming of me&#8230; not dreaming of me, though my soul is<br />
tattooed with her<br />
skin.
</p>
<p>
My flesh, likewise, is illustrated by his words. Filled with the<br />
imperceptible pricks of sadness. My words come as they sound<br />
to me, and when I write I reverse the original sin (though they<br />
come to me saying &#8220;but baby, look at Genesis 3:1&#8243;); that which I<br />
say sews my shadow back to my body, because I write as I know<br />
the words to come, and not as they should be. Their intentions<br />
are lost in his hair on my pillow; his arms with thin veins pulsing<br />
frantically beneath the skin&#8230;
</p>
<p>
&#8220;My heart under your foot, sister to a stone.&#8221; -Sylvia Plath
</p>
<p>
They&#8217;re all weaving a tapestry on the pale side of my arms. A<br />
tapestry of eternal life, finite and beautiful. Crumbling already,<br />
falling apart with the reversal of reality. My faeries too are<br />
crumbling as though exposed to harsh acids; all of this despite<br />
the molecular composition of the atmosphere, which remains<br />
the same. The posturing of youth gives way to a disintegrating<br />
pile of flesh, and bones.
</p>
<p>
I am not a poet. I am the reverser of the original sin, though I<br />
don&#8217;t believe in Adam and Eve and the snake: at least I don&#8217;t<br />
believe their supposed sin.
</p>
<p>
Mortality is infinite, the decomposing composers run through<br />
everything; it is the immortality that allows itself to be finite. It is<br />
myself that allow words to be. The carrion of her nature coerces<br />
me, and soon I will be born away.
</p>
<p>
&#8220;Sometimes a thousand twangling instruments<br />
Will hum about mine ears; and sometime voices,<br />
That if I then had wak&#8217;d after long sleep<br />
Will make me sleep again: and then in dreaming<br />
The clouds methought would open and show riches<br />
Ready to drop upon me; that, when I wak&#8217;d<br />
I cried to dream again.&#8221;<br />
-Caliban, The Tempest</p>
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		</item>
		<item>
		<title>Random Observations Of June</title>
		<link>http://www.bamboozled.org/2004/05/random-observations-of-june/</link>
		<comments>http://www.bamboozled.org/2004/05/random-observations-of-june/#comments</comments>
		<pubDate>Tue, 18 May 2004 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2004/random-observations-of-june</guid>
		<description><![CDATA[June 3rd, 2001 confusion. looking straight into someone&#8217;s eyes. a man on the street asks &#8220;can I keep you company for a little while?&#8221; &#8230; I say yes. he sits down next to me on the curb, looks over and whispers, &#8220;do you like to smoke speed?&#8221; June 11th, 2001 today: lethal injection, people I [...]]]></description>
			<content:encoded><![CDATA[</p>
<p><b>June 3rd, 2001</b>
</p>
<p>
<br />
confusion. looking straight into someone&#8217;s eyes. a man on the street asks<br />
&#8220;can I keep you company for a little while?&#8221; &#8230; I say yes. he sits down<br />
next to me on the curb, looks over and whispers, &#8220;do you like to smoke speed?&#8221;
</p>
<p>
<b>June 11th, 2001</b>
</p>
<p>
<br />
today: lethal injection, people I don&#8217;t know, curry, desire for milkshake,<br />
ten dollar guilt, timer ticking away, charles t. the fireball, dictionary<br />
of gods &amp; demons.
</p>
<p>
<b>June 12, 2001</b>
</p>
<p>
<br />
Sonia said that when she arrived in Detroit, she, her aunt and her mother<br />
had to wait for their transportation until 1 a.m. outside the airport. Her<br />
mother flapped about, shrilling &amp; upset. Sonia and her aunt sat down with<br />
a bag of dried fruit and ate it, while singing Arabic songs.
</p>
<p>
Imagine them<br />
sitting there for three hours, with the harsh airport lights, &amp; the dark<br />
night pressing down around this building which never closes, singing Arabic<br />
songs.
</p>
<p>
<br />
&#8220;Calm as Hindu cows.&#8221;</p>
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		<item>
		<title>The Following Is Not Fiction</title>
		<link>http://www.bamboozled.org/2004/05/the-following-is-not-fiction/</link>
		<comments>http://www.bamboozled.org/2004/05/the-following-is-not-fiction/#comments</comments>
		<pubDate>Tue, 18 May 2004 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2004/the-following-is-not-fiction</guid>
		<description><![CDATA[The following is (unfortunately) not fiction. I feel dead lately. What a cliche, ‘I feel dead’. Living death. But this cliche is not a lie. (Who said that cliches are lies? Not me; but maybe I thought so, sometimes.) Still, I feel the strangest thoughts occurring within me, for the first time. Sometimes I’m sure [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>
<b>The following is (unfortunately) not fiction.</b>
</p>
<p>I feel dead lately. What a cliche, ‘I feel dead’. Living death. But this cliche is not a<br />
lie. (Who said that cliches are lies? Not me; but maybe I thought so, sometimes.)</p>
<p>Still, I feel the strangest thoughts occurring within me, for the first time.<br />
Sometimes I’m sure that someone’s in my house or right behind me (I breathe faster and<br />
faster, close my eyes tightly, run up the stairs, clench my fists, my knuckles white and red).<br />
I learned how to make it go away, because the nice therapist I just started going to talked<br />
to me about it, and I remembered that breathing in and out really slowly helps. One’s<br />
breathing controls how things circulate in your body; when you panic, the adrenaline<br />
crests&#8230;</p>
<p>She said I only have mild depressive symptoms, which is true. I’m not clinically<br />
depressed, and I never have been. (I always had the words and the pictures to keep me<br />
from losing the worlds and the words entirely.)</p>
<p><i>Living in a globe made of melting glass&#8230;</i></p>
<p>Still, I’ve never physically hurt myself until now, and even now I’ve only done it<br />
once or twice (just hitting my head against the wall&#8230; it didn’t hurt that much, it was what<br />
it REPRESENTED that counted. It was a sign of hurting myself, of loathing myself. It is<br />
not not NOT good to do this, because it makes me worse. WORSE.)</p>
<p>I guess I’ve been <s>feeling</s> a bit better in the last week or two. I started<br />
eating again (when you feel like this, you lose interest in everything, even things you used<br />
to love, things you used to simply do without thinking&#8230;) and I can concentrate sometimes<br />
when I read. I care about some things again. Not that I stopped caring. It was more like<br />
hibernation&#8230; hiding from myself. Leaving the top layer, which is bumbling and stupid,<br />
half-asleep.</p>
<p>Sometimes I get the paranoia really badly; I began to think that no one likes me,<br />
although there’s no real reason to think this. It’s happening a little less now. It started<br />
mildly after my grandfather died (far back in October, a month that reaches farther than<br />
the eye could possibly see). Right when he died it started, just a bit. Then it got worse and<br />
worse, and now it’s getting a little better. Sometimes I feel like I disgust people (for the<br />
first time in my life, I decided that people disgust me. Yesterday, I found this, something<br />
new and ugly growing under my skin. My own disgust for myself becomes superimposed<br />
over the rest of the world, and then reflected back to me, so it feels as though I disgust<br />
everyone. It’s horrible. I’ve always loved people.)</p>
<p>I used to have a center, but now I wheel through the stars and they are empty.<br />
Sometimes the world seems to lose all it’s color and all it’s form.</p>
<p>As I said, this is not fiction. It would be nice if it were.</p>
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		</item>
		<item>
		<title>dissect. look. distill. touch.</title>
		<link>http://www.bamboozled.org/2001/10/dissect-look-distill-touch/</link>
		<comments>http://www.bamboozled.org/2001/10/dissect-look-distill-touch/#comments</comments>
		<pubDate>Thu, 11 Oct 2001 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2001/dissect-look-distill-touch</guid>
		<description><![CDATA[this thought is in me and it slams its rythem up here; in the glitter sidewalks i can see it mimicking me. actually, thats me, mimicking; doing the Charlie Chaplin duck walk all the way to the Bay. i might jump in. i might cry. he might make me cry, and i might jump in. [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>this thought is in me and it slams its rythem up here; in the glitter<br />
 sidewalks i can see it mimicking me. actually, thats me, mimicking;<br />
 doing the Charlie Chaplin duck walk all the way to the Bay. i might<br />
 jump in. i might cry. he might make me cry, and i might jump in. not in<br />
 a hurt way, just jump in. and maybe not.</p>
<p>[bitemytongue] my mouth is red (he was small and sick)</p>
<p>-<br />
<br />eat. ?<br />-
</p>
<p>
molecules are moving so quickly through space, ever-shifting, things<br />
 blurring into each other, entirely divided, entirely composing a<br />
 whole&#8230; one part of another is part of another is part of&#8230; me. i eat<br />
 the molecules that compose a small pig. a small pig eats molecules that<br />
 were once part of me, later. i fertilize the weeping willows, the<br />
 dandylions in the cracks of the sidewalk&#8230; i eat a carrot. the carrot<br />
 grows from my body, it sprouts and withers. it&#8217;s the most beautiful<br />
 thing i&#8217;ve ever seen. i can&#8217;t look at it. the small pig nudges the<br />
 carrot from my hand; eats it. grows back into the ground. the small<br />
 pig, growing from the ground. i&#8217;m the small pig, holding a carrot in my<br />
 eyesocket&#8230; eyesocket of an empty skull. dead, for years and years. my<br />
 body curves into the weeping willow.</p>
<p>you could say that i&#8217;m not living in this world, but this is what i<br />
 see, in this world. this thing some people call reality, tilting its<br />
 gravity along and about&#8230; i twist to the strange after-shocks, the<br />
 remaining splotches of color, the photo-reproductive quality of my<br />
 eye&#8230; falling off somewhere. everyone watches, now.</p>
<p>i went to Caerphilly castle. they make excellent cheese, in Wales.</p>
<p>p.s. shhhhhhhh&#8230;&#8230;.</p>
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		<item>
		<title>A Day</title>
		<link>http://www.bamboozled.org/2001/04/a-day/</link>
		<comments>http://www.bamboozled.org/2001/04/a-day/#comments</comments>
		<pubDate>Wed, 25 Apr 2001 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2001/a-day</guid>
		<description><![CDATA[Somehow the day began with Tom Waits growling, &#8220;some say under his coat, he has wings&#8230;&#8221; That day Sonia and I went to visit Jake at school, during his lunchtime. We all went to a sort of doorway, his friends Surge and Julie smoking, Jake eating, bent into his vulture-like hunch, his facial expressions exposed [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>Somehow the day began with Tom Waits growling, <i>&#8220;some say under his coat, he has wings&#8230;&#8221;</i></p>
<p>
That day Sonia and I went to visit Jake at school, during his<br />
lunchtime. We all went to a sort of doorway, his friends Surge and<br />
Julie smoking, Jake eating, bent into his vulture-like hunch, his<br />
facial expressions exposed without the sunglasses he usually wears;<br />
Sonia and I loitering and listening to them. Then Jake went back to<br />
school for 45 minutes, Sonia and I went to a cafe, and ate lunch.<br />
Talked about destruction and beauty (fear of glorifying destruction,<br />
fear of blindness), and the fact that I&#8217;ve never been hit, nor hit<br />
anyone. No one will hit me.
</p>
<p>
Jake got out of school, and we walked along Irving, back up to 9th,<br />
taking the N line to the beach. All along the beach, we were mostly<br />
silent (except when Jake was explaining Maui to me&#8230; he had a way of<br />
telling it that made me feel as though I were there). The air was cold,<br />
and everything was blown about. The water-licked shore looked glossy. I<br />
walked in the tracks left in the sand by a dog that had been walking<br />
the opposite direction thinking, <i>I am walking backward toward extinction&#8230;</i><br />
We walked up to the Cliff House, to the Musée Mechanique. Sonia and<br />
Jake took me there because I&#8217;d never been to it before. There were<br />
marionettes and pornography and little games, 50 or 100 years old, in<br />
which you see executions for a quarter. There was one fortune telling<br />
machine: an old painted mannequin with glass eyes and a cloudy crystal<br />
ball which made me shiver in my own thin, warm skin.</p>
<p>One would think that everyone had given up on such old<br />
displays and games but the Musée was filled, and people loved the<br />
beautiful, odd, creepy things. Staring through the tiny eyeholes, boys<br />
still lusted after women who are long dead now, slides of their bodies<br />
flashing by. Pretty pictures.
</p>
<p>
We walked out to the ruins of the bathhouse, throwing stones into the<br />
water. Sonia said she wished she could go out onto one of the ledges,<br />
and just walk off at the end, into the water. I went out to the end and<br />
looked down. It was murky, sea-monster water. I said I wanted to go to<br />
Loch Ness, that I could watch the water there for hours, even if I<br />
never saw anything. Just sit and watch with the myth caught in my mind.<br />
Jake muttered that the reason that it&#8217;s a myth is because it doesn&#8217;t<br />
exist. He was walking over the rusty pipes and the old pieces of brick<br />
and walls, with the ocean before him and the sky extending up.<br />
Everything around there has burned down. Playland, the old amusement<br />
park. The Cliff House (the first three Cliff Houses, at least). The<br />
famous Sutro Bathhouse, with its gigantic pool and suicide diving<br />
boards. All of it.
</p>
<p>
We watched the ocean, the water meeting and forming odd lines like nerves in the brain, twisting, vein-like. Thin, and spidery.</p>
<p>
Later, we were driving back along. We passed the variety of trees next<br />
to the Forest Hill reservoir. Jake said, &#8220;I own one of those trees.<br />
Yeah, my father picked it up in a sweet real estate deal back in &#8217;76.&#8221;<br />
My mouth curled into a grin.
</p>
<p>
But there were times when everyone looked sad, and no one talked. And it was all right.</p>
<p>
<i>&#8220;Down into the deep blue wine&#8230; I&#8217;d open my head and let out all of my time&#8230;&#8221;</i></p>
<p>
(Tom Waits, again).</p>
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		<item>
		<title>Telephone Call</title>
		<link>http://www.bamboozled.org/2001/01/telephone-call/</link>
		<comments>http://www.bamboozled.org/2001/01/telephone-call/#comments</comments>
		<pubDate>Thu, 01 Feb 2001 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2001/telephone-call</guid>
		<description><![CDATA[&#160; I breath into the receiver for an echo, in anticipation of your voice. The expectation is cramming me full of curdled cream and the belated reflection of my own voice. I am tired and in my mind I can hardly see this. My pen is a sleepwalker. My femur bone is threatened by the [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p> I breath into the receiver for</p>
<p>an echo, in anticipation of your voice. The expectation is cramming me</p>
<p>full of curdled cream and the belated reflection of my own voice. I am</p>
<p>tired and in my mind I can hardly see this. My pen is a sleepwalker. My</p>
<p>femur bone is threatened by the chair which pokes it mercilessly. I</p>
<p>listen into the phone at the busy signal until it finally goes dead.</p>
<p>I no longer anticipate. The echo is all I need: narcissistic and lacking.</p>
<p> Now I&#8217;m excitable, expecting</p>
<p>the echo. I can no longer hold page nor pen in focus. I collapse</p>
<p>against your chest which is actually the air with an aftertaste of the</p>
<p>tardy occurrence of my words. I begin to wonder: is there a right</p>
<p>person for anyone else? Also, I am considering whether or not to hack</p>
<p>the phone to shreds. </p>
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		<item>
		<title>unseamed</title>
		<link>http://www.bamboozled.org/2000/10/unseamed/</link>
		<comments>http://www.bamboozled.org/2000/10/unseamed/#comments</comments>
		<pubDate>Mon, 09 Oct 2000 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2000/unseamed</guid>
		<description><![CDATA[myq in the afternoon (in april) curvature at metal-blackened hands &#8230; and there he was looking lost, looking as if he was the blackbird in the blackbird pie for dinner (though all the blackbirds departed). He made me sad. Not morose or melancholy just rung, hung &#8211; sad. amber (in may) afraid of the love [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>
  </p>
<p>
<u>myq in the afternoon (in april)</u><br />
curvature at metal-blackened hands &#8230; and there he was looking lost,<br />
looking as if he was<br />
the blackbird in<br />
the blackbird pie for dinner (though all the blackbirds departed). He<br />
made me sad. Not<br />
morose or<br />
melancholy just rung, hung &#8211; sad.
</p>
<p>
<u>amber (in may)</u><br />
afraid of the<br />
love<br />
(the sadness)<br />
and the shadows that cling<br />
to his open eye-sockets
</p>
<p>
<u>antony (in july, in portugal)</u><br />
his Portugal<br />
a sinking indent of rubber<br />
a mouthful of Blackjack gum;<br />
it’s beautiful,<br />
the perfect location.<br />
he remembers it vividly,<br />
the Portugal of his swollen mouth<br />
the perfect location&#8230;<br />
it’s foreign hard candy.
</p>
<p>
<u>perry (in august)</u><br />
where do i begin?<br />
i can’t make reason of you {ohdearohmyohgod}<br />
&#8230; you’re remarkable
</p>
<p>
<u>thom (in january)</u><br />
you smell like stale black coffee<br />
(comfort)<br />
you sound like recorded cigarette laughter, sometimes
</p>
<p>
<u>nicholas (in february)</u><br />
isolation is a skittering of small claws<br />
and you can hear it.</p>
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		<item>
		<title>The Enigma</title>
		<link>http://www.bamboozled.org/2000/10/the-enigma/</link>
		<comments>http://www.bamboozled.org/2000/10/the-enigma/#comments</comments>
		<pubDate>Mon, 02 Oct 2000 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[comics]]></category>

		<guid isPermaLink="false">/emily/2000/the-enigma</guid>
		<description><![CDATA[The Enigma is one of the oddest, most amazing pieces of comic book art that I&#8217;ve ever come across. Described as &#34;philosophy disguised as comic book disguised as philosophy&#34; it never fails in brilliance nor wit, and is reinforced by scattered, scrawling illustrations that describe and add a most real surreality. Peter Milligan&#8217;s own words: [...]]]></description>
			<content:encoded><![CDATA[<p>The Enigma is one of the oddest, most amazing    pieces of comic book art that I&#8217;ve ever come across. Described as    &quot;philosophy disguised as comic book disguised as philosophy&quot; it    never fails in brilliance nor wit, and is reinforced by    scattered, scrawling illustrations that describe and add a most    real surreality. Peter Milligan&#8217;s own words: &quot;2 Things to Know    about the Enigma: He exists. He doesn&#8217;t exist.&quot;</p>
<p>Seemingly-bland, only-has-sex-on-Tuesday-evenings    protagonist Michael Smith is led on a odd journey, accompanied by    cynical, burnt-out former-comic-book-writer (and homosexual)    Titus Bird. The pair embark on a search to find an incarnation of    Titus&#8217; old superhero character, the masked Enigma who has    suddenly (and of course mysteriously) appeared in the real world,    a flesh-and-blood hero replica. Along the way encounter the    strange cast including the sensual yet gummy Envelope Girl, a    smattering of flying lizards, a huge crowd of suicidal    cult-followers and the Enigma&#8217;s greatest nemesis: a deformed    creature that carries with it the essence sex in Arizona many    years ago, and happens to be Enigma&#8217;s merciless mother. The    obscure philosophy gives a sense of limitlessness; yet, the comic    never gets so philosophical that it fails to see the humor in    itself.</p>
<p>This is truly a hard piece to describe, so don&#8217;t    take my word for it. Go out and buy it. Or, if you live in San    Francisco, locate it at your public library. You won&#8217;t be    disappointed by this piece of comic book genius that produced one    of the greatest statements about love I&#8217;ve ever heard: &quot;And he    finds that contrary to popular belief, falling needn&#8217;t hurt a    bit.&quot; <!--#include virtual="/UPDATE/writeme.txt" --></p>
<p><img width="150" vspace="5" hspace="5" height="231" border="1" align="right" alt="Cover" src="http://new.bamboozled.org/images/articles/emily/enigma.gif" /></p>
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		<title>shiny red sultry smoke &#8230;</title>
		<link>http://www.bamboozled.org/2000/09/shiny-red-sultry-smoke/</link>
		<comments>http://www.bamboozled.org/2000/09/shiny-red-sultry-smoke/#comments</comments>
		<pubDate>Mon, 18 Sep 2000 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2000/shiny-red-sultry-smoke-</guid>
		<description><![CDATA[&#160; she walks into a room her hips swiveling like some love-torn thing and her eyes smoking&#8230; puffing opium like evaporated velvet diamonds. {Marilyn Monroe} i feel like her. Gentlemen Prefer Blonds and Some Like It Hot&#8230; in the mirror away from her image i walk around, raising an eyebrow at myself, smiling coyly&#8230; tongue [...]]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p>she walks into a room her hips swiveling like some love-torn thing</p>
<p>and her eyes smoking&#8230; puffing opium like evaporated velvet diamonds.</p>
<p>{Marilyn Monroe}</p>
<p>i feel like her. Gentlemen Prefer Blonds and Some Like It Hot&#8230; in</p>
<p>the mirror away from her image i walk around, raising an eyebrow at</p>
<p>myself, smiling coyly&#8230; tongue runs warm, leaving trails of sultry</p>
<p>dancers with sparkling teeth scented with a touch of gin and tonic;</p>
<p>under the strange, dim light of cigarette smoke you can see the rich</p>
<p>reflection in my lips, soft, shiny, red&#8230;</p>
<p>. . . i am your Marilyn Monroe . . .</p>
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		<title>The Affair</title>
		<link>http://www.bamboozled.org/2000/07/the-affair/</link>
		<comments>http://www.bamboozled.org/2000/07/the-affair/#comments</comments>
		<pubDate>Sun, 16 Jul 2000 01:00:00 +0000</pubDate>
		<dc:creator>emily</dc:creator>
				<category><![CDATA[truth]]></category>

		<guid isPermaLink="false">/emily/2000/the-affair</guid>
		<description><![CDATA[I prance into the fresh-faced morning sunshine feet shoving themselves into a convicted-but-escaped crack of light that has slithered it&#8217;s way between melancholy drapes. I examine my olive toes with their carefully clipped toenails and the steep forceful arch that carves itself into my foot, marvel at the protruding ankle bone with glee. And I [...]]]></description>
			<content:encoded><![CDATA[</p>
<p>I prance into the fresh-faced morning sunshine feet shoving themselves<br />
into a convicted-but-escaped crack of light that has slithered it&#8217;s way<br />
between melancholy drapes. I examine my olive toes with their carefully<br />
clipped toenails and the steep forceful arch that carves itself into my<br />
foot, marvel at the protruding ankle bone with glee. And I realize: I<br />
love my feet. In fact, I AM HAVING AN AFFAIR WITH THEM!</p>
<p>It&#8217;s not that you&#8217;re not wonderful &#8211; eyes like the chocolate salt- water<br />
taffy I ate when I was small. Oh no, it&#8217;s not that I can&#8217;t lose myself<br />
in you and your dark hair and gentle grain-cut hands. It&#8217;s just that right<br />
now my feet-in-light look like God, glowing and shining, parading in 6:33<br />
a.m. gold. I&#8217;m supposed to experience one-night-stand summer flings anyway<br />
- I am still a NAIVE AND HEADSTRONG YOUTH! You know I&#8217;ll always come back<br />
to you. Just let me be in love with this tantalizing moment for a bit<br />
more.
 </p>
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